In a testament to parental multitasking, I did not fully read the e-mail that arrived in my inbox from Taproot Theatre earlier this month announcing their new show. I saw “musical revue,” “1930s Harlem nightclub,” and “Fats Waller” and thought, “That sounds fun.” I added the date to my calendar and didn’t think much more about it until I walked into their Jewel Mainstage Theatre and opened the program last weekend.
This was one of those times that my inattention, caused by trying to do a half dozen other things, really worked out for me. “Ain’t Misbehavin’, The Fats Waller Musical Show,” which runs through April 25, was fantastic! This is not a play. There is no through storyline. This is a celebration of the rhythm and soul that Thomas “Fats” Waller brought into the world, and a demonstration of the impact that his music continues to have today.
To understand this show, you need to know about the parts that make up the whole. First, the set truly “sets” the scene of this revue with the use of a gorgeous art deco facade that frames an upright piano flanked by a drum set and horn player. In front of the band is a tiered stage, and between the stage and the audience are several round cocktail tables for a few lucky audience members who become part of the show by simply sitting stage-side.
Next, five talented vocalists perform 30 songs across the revue. These singers could not be more engaging or mesmerizing. While there is no official dialogue in the production, each song is a little play within itself. Through body language and dance moves, these performers pull the audience right into that nightclub where we laugh and cry and shout our approval at the end of each piece. I found myself sitting forward and foolishly grinning at the stage through many of the numbers, and I was not alone. The same reaction was happening on the faces of people all around me.
A huge round of applause goes to the costume designer for this production. Each act has its own set of intricate outfits and wigs, and each is more glamorous than the last. The dresses genuinely dazzled my eyes; satin fabrics finished with glittering stones, long gloves, feathered fascinators, and more. The suits are snappy, layered with textures and patterns, and completed with fabulous shoes and hats.
And last, but most certainly not least, are the musicians. The pianist played through the entire show. That is impressive on its own. What is more impressive is that he did that while playing Fats’ music. Fats Waller popularized the Harlem stride style on the keyboard, blending jazz with ragtime and a swing-sound. It is a difficult, physically demanding technique. Accompanied by trumpet, trombone, and drums, the piano practically sings. It has been said that one can never properly describe Fats Waller’s music; it must be experienced to be understood. I would concur.
“Ain’t Misbehavin’” is recommended for middle school students and older. If you have musical, theater, or dance kids, bring them. They are going to love this show. And if you are still on the fence about whether this event is for you, think about what Fats Waller would say, “One never knows, do one?” and then get yourself a ticket.
Know Before You Go
- Run Time: Two hours and 15 minutes, including one 15-minute intermission
- ‘Rating‘: There is some suggestive language in the lyrics, sounds of gunshots and police sirens, tobacco-free cigarettes smoked by the actors, and occasional theatrical haze.
- Parking: Can be tricky in the Greenwood neighborhood. Allow yourself extra time to find a spot and walk to the theater. Do not park in the Fred Meyer parking lot – they will tow.
- Accessibility: There is wheelchair accessible seating on the main level. The balcony can only be accessed via stairs. Look for the letters, WH, online when purchasing tickets. Assisted listening devices are available. Contact the House Manager in advance to reserve a device. An optional closed captioning performance will occur on April 15. Closed captioning will be available through a QR code in the lobby.
- Food & Beverage: No food is permitted in the theatre. Beverages are allowed with a lid. You can purchase these at the Taproot Cafe before the show and at intermission. Be sure to look for their show-inspired drink and snack.
- Special Performances: Represent your Black Greek Letter organization on April 24 and stay for a post-show reception with Director Bretteney Beverly (AKA sorority) and Emmy-award winning media personality TraeAnna Holiday.
